Muscat – Omani poetry is entering a new phase, where classical forms remain rooted in tradition while embracing contemporary themes, broader cultural dialogue and new generations of writers seeking to connect with readers beyond the sultanate.

Leading poets and literary figures believe the country’s poetic movement is becoming more open to questions of identity, humanity and cultural transformation, while preserving the linguistic richness that has long defined Oman’s literary heritage.

Poet Khamis bin Qalam Al Hinai said contemporary Omani poetry continues to draw strength from its cultural identity while developing its own distinctive voice within the wider Arab literary scene. He noted that many emerging poets are exploring symbolism, mythology and religious references alongside local landscapes and lived experiences, broadening the scope of Omani poetry without losing its connection to place.

For poet Younis bin Marhoon Al Busaidi, however, genuine renewal goes beyond experimenting with vocabulary or poetic form. He argued that innovation lies in the treatment of ideas, style and artistic expression rather than simply changing the structure of the poem.

Poet Abdullah bin Ahmed Al Kaabi sees today’s Omani poetry balancing two parallel trends: openness to other literary forms and a continued attachment to the eloquence of classical Arabic. 

In his view, the strongest poems are those that transcend genre, engage with everyday language and address human concerns while inviting readers to participate in interpreting the text. 

Looking ahead, poet Dr Aisha bint Abdullah Al Fazari believes Omani poetry possesses all the ingredients needed to strengthen its presence across the Arab world. She points to a rich literary heritage, a diverse generation of established and emerging poets, and a cultural identity shaped by the sea, mountains, deserts and history. 

She argues that wider recognition now depends on greater investment in translation, digital publishing, literary criticism and participation in regional and international festivals. 

According to Aisha, poetry can no longer rely solely on the quality of the text; it also requires strong media, publishing and cultural institutions to reach new audiences. 

Poet Ali bin Hamid Al Alawi believes Omani poetry has already begun shifting from describing events to exploring broader human and existential questions. He says contemporary poets are increasingly blending traditional metre with free verse and prose poetry, drawing inspiration from Oman’s maritime history, forts, landscapes and folklore to express modern concerns while maintaining a distinctly Omani identity.