First performed in Paris in 1841 by the Ballet du Théâtre de l’Académie Royale de Musique, Giselle was an immediate success and soon became tremendously popular across Europe, Russia and the US.
The brilliant choreography for Giselle originated during the late 19th and early 20th centuries at the Imperial Ballet in St Petersburg with the famous French ballet master, Marius Petipa.
The Royal Opera House Muscat (ROHM) will present this compellingly beautiful ballet in a production by one of the world’s greatest ballet companies - American Ballet Theatre (ABT) which regularly performs Giselle at New York’s prestigious Metropolitan Theatre.
ROHM will present three performances of Giselle on April 6 and 7 at 7.30pm and on April 8 at 4pm, according to a release.
The New York Times describes the ABT performance of Giselle as one that “glows with dramatic life and finely nuanced acting that illuminates ABT’s virtuoso dancing”.
With staging by ABT’s acclaimed artistic director and former principal dancer, Kevin McKenzie, sets by the famous Italian production designer, Oscar-winning, Gianni Quaranta, and costumes by the distinguished Italian designer, Anna Anni, this luminous production represents the epitome of world class entertainment.
Giselle, a lovely young village girl with a weak heart, falls in love with a dashing nobleman, Count Albrecht, who has disguised himself as a peasant in order to court her. Unaware that he is already engaged to a princess, Giselle joyfully agrees to marry Albrecht. When the truth comes to light, Giselle’s fragile heart fails and she quite literally dies of a broken heart. Giselle is forced to join the ranks of the beautiful but terrible wilis, spirits who were jilted and seek vengeance by dancing to death any mortal man who comes their way.
When the sorrowful Albrecht arrives to lay flowers on Giselle’s grave, he is captured by the wilis, but a forgiving Giselle manages to save her beloved. She is thereby freed from the evil wilis and ascends to heaven.
Giselle is ballet that requires supreme artistry and great technical skill in the execution of extremely demanding roles.
As a village girl, Giselle must have a certain earthiness; and, as a spirit, Giselle is buoyant, weightless and ethereal. She must take to the air with invisible, almost whispering wings as if the air is her true element.
Equally challenging is the role of Albrecht who must remain a mortal, but dance convincingly with Giselle’s spirit through tight double-air spins, extremely light jetés (leaps) and fluid, almost invisible entrechats (rapid leg-crossing in the air).
For further details and booking visit www.rohmuscat.org.om